Whenever Debney approaches a major adventure or fantasy
project, the first thing score collectors want to know is whether it
compares favorably to his well-established and respected calling card:
Cutthroat Island. So to say it right off the bat,
Zathura
is nowhere near
Cutthroat Island territory. But it exists at the
better-than-average level of
My Favorite Martian and
The
Scorpion King, with some of the lengthy choral contributions of the
latter score. What
Zathura has going in favor it is a ceaseless
level of orchestral activity from a large Los Angeles ensemble. In its
bulk application, Debney succeeds in providing satisfying rhythms and
stereotypical chord progressions from space adventures of yesteryear
with all the exuberance necessary to cause the music to take flight. On
the other hand, there's a significantly campy and borderline cheesy side
to
Zathura that smells distinctly like David Newman's
Galaxy
Quest, with the incessant snare and the lighter, underpowered choir
draining whatever seriousness there would have been in the music
otherwise. The main titles are an unashamed tribute to the sensibilities
of James Horner's
Star Trek scores, with a touch of David
Arnold's heroics left over from Debney's wholesale use of it in
Chicken Little, and even the repetition of the final orchestral
hits in John Williams fashion. A handful of these monumental cues lead
Zathura on its satisfying ride, highlighted by the expansive
"Shooting Star Card" cue. Some of the stutter-step action pieces,
however, remind of the campy B-grade sci-fi scores of the 1980's, with
Craig Safan's
The Last Starfighter mentioned as a similarly
faux-heroic entry in the same library of sounds. The score progressively
loses that innocence as it reaches its strong, final six cues. But
throughout its length of blaring brass, borderline choral overuse, and
that still ceaselessly ripping snare, the recording quality of the score
is remarkably flat. This phenomenon has plagued several of Debney's
fuller recordings in the action genre, and it constricts
Zathura
with a dry sound that doesn't do justice to the soaring spirit of space
travel. Overall, though, another commendable effort in Debney's
remarkable year.
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