SUPPORT FILMTRACKS! CLICK HERE FIRST:
Amazon.com
Amazon.co.uk
iTunes (U.S.)
Amazon.ca
Amazon.fr
eBay (U.S.)
Amazon.de
Amazon.es
Half.com
Glisten Effect
Editorial Reviews
Scoreboard Forum
Viewer Ratings
Composers
Awards
   NEWEST MAJOR REVIEWS:
     1. Avengers: Endgame
    2. Shazam!
   3. Dumbo
  4. Captain Marvel
 5. HTTYD: The Hidden World
6. The Lego Movie 2
   CURRENT MOST POPULAR REVIEWS:
         1. Batman
        2. Star Wars: The Last Jedi
       3. Apollo 13
      4. Edward Scissorhands
     5. How to Train Your Dragon
    6. Jurassic World: Kingdom
   7. First Man
  8. Solo: A Star Wars Story
 9. Justice League
10. Ready Player One
Home Page
Spider-Man: Into the Spider-Verse
(2018)
Album Cover Art
Composed, Conducted, and Produced by:
Daniel Pemberton
Labels Icon
LABEL & RELEASE DATE
Sony Classical
(December 17, 2018)
Availability Icon
ALBUM AVAILABILITY
Regular U.S. release. The digital product contains three extra tracks not included on the CD.
Awards
AWARDS
None.
Also See Icon
ALSO SEE





Decorative Nonsense
PRINTER FRIENDLY VIEW
(inverts site colors)



   Availability | Viewer Ratings | Comments | Track Listings | Notes
Buy it... if the pharmaceutical industry has failed to light a fire under your butt via alterations to your brain chemistry, because this film score is a much less expensive alternative towards achieving that dubious end.

Avoid it... if you'd prefer not to spoil your day with offensively schizophrenic, overbearingly loud, and obnoxiously processed music trying so hard to be uniquely cool that it devolves into comedic horrors.
Review Icon
EDITORIAL REVIEW
FILMTRACKS TRAFFIC RANK: #1,868
WRITTEN 1/23/19
Shopping Icon
BUY IT



Spider-Man: Into the Spider-Verse: (Daniel Pemberton) Sony had been long contemplating unconventional directions for its "Spider-Man" concept, not remaining content with its endless reboots in live-action form. Their answer is 2018's animated Spider-Man: Into the Spider-Verse, which opens a doorway to multiple universes with their own Spider-Mans and associated villain incarnations. The movie allowed Sony to twist the character's human form into a new body and, frankly, dozens of other bodies, expanding the appeal of the character beyond the limitations of the typical Peter Parker depiction. All of this is accomplished with a comic book-inspired 2D animation style that required a record number of artists to render for a motion picture. The dizzying story of Spider-Man: Into the Spider-Verse follows the opening of this "multiverse" via a supervillain's particle accelerator under New York, which brings a slew of other Spider-Mans and other characters into this universe temporarily. This onslaught of characters allows a number of them to be killed ingloriously, and the action inspires a young black and Latino boy from Brooklyn to take over the Spider-Man mantle in the home universe. The audience witnesses his transition into the role with extreme reverence to the original comic inspiration. The soundtrack for Spider-Man: Into the Spider-Verse is dominated by the songs that would appeal to Miles Morales, the lead African-American teenager destined to become Spider-Man in our universe. Naturally, the blend of hip hop, rap, and pop influences from those songs has an impact on Daniel Pemberton's score for the movie. The English composer, a relative but already well-awarded novice in the film scoring world, is known for his unconventional blends of genres in his work for the screen, and that knack for the unexpected is exercised fully in Spider-Man: Into the Spider-Verse. Any score competing with so many dominant song placements is placed at a disadvantage, but this is not the first time Sony has put a "Spider-Man" score in such a position. Pemberton responds by combining five different personalities into one composition: his own Oceans 8 suavity, Hans Zimmer's post-modern muscularity, Ludwig Göransson's Black Panther inventiveness, funk-evolved David Arnold electronics, and awkward Looney Tunes juvenility. It's certainly one of the most fascinating listening experiences of 2018, if only for the sheer hideousness of its combined personality.



Ratings Icon
VIEWER RATINGS
106 TOTAL VOTES
Average: 2.81 Stars
***** 17 5 Stars
**** 17 4 Stars
*** 23 3 Stars
** 27 2 Stars
* 22 1 Stars
  (View results for all titles)

Comments Icon
COMMENTS
2 TOTAL COMMENTS
Read All Start New Thread Search Comments
missed the point
Jonathan - May 4, 2019, at 11:34 a.m.
1 comment  (138 views)
Just one small correction
Leo - February 26, 2019, at 2:34 a.m.
1 comment  (223 views)
More...


Track Listings Icon
TRACK LISTINGS
Sony Classical Digital Album Tracks   ▼Total Time: 81:46
• 1. Into the Spider-Verse (0:59)
• 2. Only One Spider-Man (2:13)
• 3. Visions Brooklyn 1, 2, 3 (3:17)
• 4. Security Guard (1:06)
• 5. Comic Book (0:44)
• 6. Green Goblin Fight (2:12)
• 7. The Amazing Spider-Man (1:56)
• 8. The Collider (1:14)
• 9. Destiny (2:46)
• 10. Escape the Subway (1:56)
• 11. Mi Amor (1:19)
• 12. Spider-Training (1:23)
• 13. Rest in Peace (1:20)
• 14. My Name is Peter B. Parker (0:52)
• 15. For The Love of MJ (0:38)
• 16. Peter Enters the Spider-Verse (1:36)
• 17. Cementery Splat (0:37)
• 18. Catch the S Train (1:55)
• 19. Quantum Physics (1:20)
• 20. Gimme the Goober (1:15)
• 21. Alchemmax Infiltration Plan (1:47)
• 22. Alchemax Arrives (2:17)
• 23. Spider-Man Science (2:06)
• 24. Take the Computer and Run (1:25)
• 25. Are You Ready to Swing? (3:09)
• 26. Gwen Enters the Spider-Verse (0:46)
• 27. Kingpin Clicks (1:37)
• 28. Aunt May and the Spider-Shed (3:54)
• 29. The Prowler (2:45)
• 30. Breakdown the House... (2:27)
• 31. ...And Tear off the Roof (2:30)
• 32. On Your Way (2:18)
• 33. The Team Leaves (1:57)
• 34. This Spark in You (2:10)
• 35. Spider-Team Mission (1:44)
• 36. MJ in the Restaurant (0:54)
• 37. Suicide Squad (1:46)
• 38. Miles Morales Returns (3:45)
• 39. Saying Goodbye (1:49)
• 40. Shut It Down (1:15)
• 41. Kingpin Fight (2:59)
• 42. Shoulder Touch (2:33)
• 43. Aftermath (1:26)
• 44. Spider-Man Loves You (1:51)
Sony Classical CD Album Tracks   ▼Total Time: 78:24

Notes Icon
NOTES AND QUOTES
The insert includes no information about the score or film, not even basic credits for the composition or recording.
Copyright © 2019, Filmtracks Publications. All rights reserved.
The reviews and other textual content contained on the filmtracks.com site may not be published, broadcast, rewritten
or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. All artwork and sound clips from Spider-Man: Into the Spider-Verse are Copyright © 2018, Sony Classical and cannot be redistributed without the label's expressed written consent. Page created 1/23/19 (and not updated significantly since).
Reviews Preload Scoreboard decoration Ratings Preload Composers Preload Awards Preload Home Preload Search Preload