iTunes (U.S.)
eBay (U.S.)
Glisten Effect
Editorial Reviews
Scoreboard Forum
Viewer Ratings
     1. Rogue One: A Star Wars Story
    2. Inferno
   3. The Accountant
  4. The Girl on the Train
 5. Sully
6. The Magnificent Seven

       1. Star Wars: The Force Awakens
      2. Wolf Totem
     3. Mission: Imp. - Rogue Nation
    4. Jurassic Park
   5. The Martian
  6. Journey 2: Mysterious Island
 7. Jupiter Ascending
8. Tintin: Secret of the Unicorn
   BEST OF JAMES HORNER (1953-2015):
         1. Star Trek II: Wrath of Khan
        2. Willow
       3. The Land Before Time
      4. Glory
     5. Legends of the Fall
    6. Apollo 13
   7. Titanic
  8. The Legend of Zorro
 9. Avatar
10. The Amazing Spider-Man
Home Page
The Return of a Man Called Horse
Album Cover Art
2003 Varèse
2015 Intrada
Album 2 Cover Art
Composed, Orchestrated, Conducted, and Produced by:
Laurence Rosenthal
Labels Icon
Varèse Sarabande
(April, 2003)

Intrada Records
(March 30th, 2015)
Availability Icon
The 2003 Varèse Sarabande album is a Club title of 3,000 copies and was available only through the label's site or online soundtrack specialty outlets. The 2015 Intrada album is a limited product with unknown quantities produced and sold initially for $25.
Also See Icon

Decorative Nonsense
(inverts site colors)

   Availability | Viewer Ratings | Comments | Audio & Track Listings | Notes
Buy it... if you are among those who have been sitting on the LP release of this fine score for years and are curious about revisiting one of Laurence Rosenthal's most accomplished scores on either of its well-mastered CD releases.

Avoid it... if you've never been convinced of the philosophical viability of English-inspired romanticism merged with Native American chants, the combination here admirably handled but not overwhelmingly memorable.
Review Icon
WRITTEN 6/10/03, REVISED 4/13/16
The Return of a Man Called Horse: (Laurence Rosenthal) After the success of A Man Called Horse in 1970, star Richard Harris collaborated with director Irvin Kershner to bring the title character back to the big screen in 1976. Despite a positive audience response to the original 1970 film, it did several cinematic injustices to the representation of Native American lifestyles, and the new production team wished to correct those errors. The sequel, The Return of a Man Called Horse, was, through the involvement of Kershner and his associates, a significantly more sensitive and realistic portrayal of Native American culture on the big screen. The film contained several slowly developed visual elements that that gave it the sensibility of a documentary, including many expansive vista scenes without much more than Laurence Rosenthal's music to compliment their beauty. From the 1960's through the 1980's, Rosenthal was known as a composer of great consistency, a gentleman with classical inclinations, but also a talent for bringing sophistication to a score of any genre. In later years, he enjoyed a more successful, Emmy-recognized career in television music. Some of his works have aged better than others, but many critics and collectors agree that the mid-1970's to early 1980's represented the most lasting period of productivity in his career. After The Return of a Man Called Horse, which even Rosenthal agrees is among finest, both Meteor and Clash of the Titans, despite the shortcomings of their films, continued to interest film score enthusiasts. For The Return of a Man Called Horse specifically, Rosenthal had the opportunity to infuse a classical, European sound from the perspective of the title character into an ethnically rich canvas inspired by the Sioux tribes he becomes a part of. Add Kershner's habit of shooting long scenes without dialogue to the equation and Rosenthal's music was perfectly positioned to make an impact. The success of the composer's score comes from his ability to combine the two genres of music into one redemptive package. The film displays a rare acceptance of an Englishman (Harris) into the Yellow Hands tribe, and the collaboration they experience is one of trials and ultimate success. Thus, Rosenthal's music reflects the enthusiasm and perseverance of the title character during his journey to become a respected leader in the tribe. The score plays an enormous role in ensuring the film's upbeat vision of collaboration while also offering enough seriously inclined cues of drama and tension to service moments of despair felt by the tribe.

Ratings Icon
Average: 3.4 Stars
***** 61 5 Stars
**** 74 4 Stars
*** 54 3 Stars
** 32 2 Stars
* 31 1 Stars
  (View results for all titles)

Comments Icon
Read All Start New Thread Search Comments

No Comments


Track Listings Icon
Audio Samples   ▼
2003 Varèse Album Tracks   ▼Total Time: 59:37
• 1. Main Title: The Return of a Man Called Horse (4:54)
• 2. The Massacre (2:21)
• 3. Morgan Haunted by his Memories (2:37)
• 4. The Yellow Hands in Despair (3:14)
• 5. Gifts for the Yellow Hands (3:03)
• 6. The Hilltop* (1:39)
• 7. Preparation for the Ordeal* (4:31)
• 8. The Sun Vow: The Sweat Lodge - Morgan's Vision - The Sun Dance (6:26)
• 9. Raven's Sacrifice* (1:35)
• 10. The Benediction* (1:42)
• 11. The Buffalo Hunt (4:45)
• 12. Buffalo Spirit Gone* (2:44)
• 13. Training for War (3:01)
• 14. Portents* (2:46)
• 15. Battle at the Fort* (6:35)
• 16. The Young Chief - The New Life (7:08)
* not available on the LP record
2015 Intrada Album Tracks   ▼Total Time: 132:07

Notes Icon
The 2003 Varèse Sarabande album's insert features excellent, in-depth analysis of the score and film. New comments from Rosenthal himself were included. The 2015 Intrada album also features extended analysis.
Copyright © 2003-2017, Filmtracks Publications. All rights reserved.
The reviews and other textual content contained on the site may not be published, broadcast, rewritten
or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. All artwork and sound clips from The Return of a Man Called Horse are Copyright © 2003, 2015, Varèse Sarabande, Intrada Records and cannot be redistributed without the label's expressed written consent. Page created 6/10/03 and last updated 4/13/16.
Reviews Preload Scoreboard decoration Ratings Preload Composers Preload Awards Preload Home Preload Search Preload