SUPPORT FILMTRACKS! CLICK HERE FIRST:
Amazon.com
Amazon.co.uk
iTunes (U.S.)
Amazon.ca
Amazon.fr
eBay (U.S.)
Amazon.de
Amazon.es
Half.com
Glisten Effect
Editorial Reviews
Scoreboard Forum
Viewer Ratings
Composers
Awards
   NEWEST MAJOR REVIEWS:
     1. Transformers: Last Knight
    2. Cars 3
   3. The Mummy
  4. Wonder Woman
 5. POTC: Dead Men Tell No Tales
6. Alien: Covenant


   CURRENT BEST-SELLING SCORES:
       1. Rogue One: A Star Wars Story
      2. Fantastic Beasts/Find Them
     3. Willow
    4. The Ghost and the Darkness
   5. An American Tail
  6. The Wind and the Lion
 7. Doctor Strange
8. 10 Cloverfield Lane
   CURRENT MOST POPULAR REVIEWS:
         1. Star Wars: Force Awakens
        2. E.T. The Extra-Terrestrial
       3. Titanic
      4. Avatar
     5. Nineteen Eighty-Four
    6. Gladiator
   7. Star Wars: A New Hope
  8. Animal Farm
 9. LOTR: Fellowship of the Ring
10. Harry Potter: Sorcerer's Stone
Home Page
Field of Dreams
(1989)
Album Cover Art
Composed, Co-Orchestrated, Conducted, Performed, and Produced by:

Co-Orchestrated by:
Billy May

Solo Performances by:
Tommy Tedesco
Ian Underwood
Ralph Grierson
Tim May
Steve Schaeffer
Neil Stubenhaus
Jim Thatcher
Mike Taylor
Tony Hinnegan
Labels Icon
LABEL & RELEASE DATE
Novus/BMG
(May 2nd, 1989)
Availability Icon
ALBUM AVAILABILITY
Regular U.S. release, still in print and available at a bargain price.
Awards
AWARDS
Nominated for an Academy Award and a Grammy Award.
Also See Icon
ALSO SEE




Decorative Nonsense
PRINTER FRIENDLY VIEW
(inverts site colors)




Availability | Awards | Viewer Ratings | Comments | Audio & Track Listings | Notes
Buy it... only if you've enjoyed the score in the context of the narrative and can translate the magic of the film into an understanding of the diverse and arguably disjointed presentation of the score on album.

Avoid it... if you're simply taking the word of some James Horner collectors for whom this score is a crowning achievement, because despite its highlights within the picture, it's a very overrated work.
Review Icon
EDITORIAL REVIEW
FILMTRACKS TRAFFIC RANK: #242
WRITTEN 6/15/98, REVISED 9/22/11
Shopping Icon
BUY IT



Horner
Horner
Field of Dreams: (James Horner) Based on writer W.P. Kinsella's book "Shoeless Joe," Phil Alden Robinson's 1989 movie Field of Dreams is as close to an Americana film about religion as you can possibly get. The popular flick with Kevin Costner in the lead role abandons all common sense and throws magic and history into the cornfields of Iowa. When Costner's farming character hears whispering voices telling him to build a baseball diamond on his land with the promise that the ghosts of famous baseball players will inhabit it for games at night (leading to a pop culture phenomenon based upon the "If you build it, they will come" line), you can't help but follow the religious parallels between God requesting a cathedral and God instead requesting a baseball diamond in the middle of nowhere. Baseball here is the religion, and the film takes the opportunity to draw important comparisons between the game and real life philosophical issues that provide for some heartfelt speeches before the story is done. Unlike Costner, composer James Horner had never been a fan of the American pastime. But when he first saw a cut of Field of Dreams, he fell in love with the story and jumped at the assignment despite his lack of knowledge about the sport. The director had originally used a selection of jazz as a temp score for the film, and the disapproving studio was very supportive of Horner's hiring because they believed that he would inject the spirit of his science fiction and adventure scores into the picture. In fact, Horner defied their expectations and wrote an arguably minimalistic score dominated by electronics, piano, and specialty instruments. He then employed an orchestra for only the final few minutes of music during the finale sequence. While such moves are made all the time in Hollywood for budgetary reasons, Horner claims to have approached Field of Dreams with this intention of reaching the nostalgic Americana summary only at the end. Interestingly, his claims of wanting to write a "magical Americana" score for Field of Dreams are contradicted by his finished result, a score that has a fairly low amount of magic and very little Americana spirit about it at all. Both The Natural by Randy Newman and For the Love of the Game by Basil Poledouris better capture baseball's historical place in America's cultural through orchestral and contemporary tones. The fact that Field of Dreams was nominated for an Academy Award that year instead of the far more authentic and deserving Glory is testimony to AMPAS' deeply rooted faults.



Ratings Icon
VIEWER RATINGS
825 TOTAL VOTES
Average: 3.8 Stars
***** 395 5 Stars
**** 132 4 Stars
*** 124 3 Stars
** 90 2 Stars
* 84 1 Stars
  (View results for all titles)

Comments Icon
COMMENTS
16 TOTAL COMMENTS
Read All Start New Thread Search Comments
LOVED this soundtrack
maria - October 3, 2010, at 6:04 a.m.
1 comment  (1096 views)
One of Horner's BEST ever
Michael - April 6, 2010, at 2:03 a.m.
1 comment  (1141 views)
Field of Dreams 2 stars?!?!
Oettl - August 29, 2009, at 4:01 p.m.
1 comment  (1262 views)
Absolutely disagree   Expand >>
Sherlock - September 8, 2008, at 1:35 a.m.
2 comments  (2718 views)
Newest: May 29, 2009, at 1:15 a.m. by
Jimbo
Three musical styles in one album,but still lacks something
Sheridan - August 28, 2006, at 9:45 a.m.
1 comment  (1607 views)
Field of misunderstanding...
Elfmaniac - October 13, 2005, at 9:10 a.m.
1 comment  (1926 views)
More...


Track Listings Icon
TRACK LISTINGS AND AUDIO
Audio Samples   ▼
Total Time: 50:29
• 1. The Cornfield (5:34)
• 2. Deciding to Build the Field (5:51)
• 3. Shoeless Joe (2:14)
• 4. The Timeless Street (2:38)
• 5. Old Ball Players (2:44)
• 6. The Drive Home (2:13)
• 7. Field of Dreams (3:30)
• 8. The Library (2:29)
• 9. Moonlight Graham (2:03)
• 10. Night Mists (4:19)
• 11. Doc's Memories (3:17)
• 12. The Place Where Dreams Come True (9:06)
• 13. End Credits (4:07)

Notes Icon
NOTES AND QUOTES
The insert includes no extra information about the score or film.

"You know, I never was a baseball fan. I still don't know anything about baseball, but when I saw the movie, I loved it from the moment I saw it. I wanted to write something very magical for it --yet something uniquely American-- and it has an Aaron Copland-like sound. This last sequence is a very long sequence; it's about sixteen minutes long and goes all the way to the end credits. The director initially had new age jazz on it, and the studio was horrified, but they were pleased that I was doing it because I was going to do --like-- a big Star Trek score on it. They felt very confident in that direction and I had no intention of doing that kind of score at all. Most of the score in Field of Dreams is electronic; the last two minutes of the score are orchestral. It was done for dramatic reason where I tied together all the threads of the film that I had been weaving throughout into the last two cues. That's really where the story comes together ultimately. I just thought it was a wonderful film; I wish that those kind of movies came along more often, but they don't."

        --from James Horner's Melbourne (Australia) Seminar in December, 1991.
Copyright © 1989-2017, Filmtracks Publications. All rights reserved.
The reviews and other textual content contained on the filmtracks.com site may not be published, broadcast, rewritten
or redistributed without the prior written authority of Christian Clemmensen at Filmtracks Publications. All artwork and sound clips from Field of Dreams are Copyright © 1989, Novus/BMG and cannot be redistributed without the label's expressed written consent. Page created 6/15/98 and last updated 9/22/11.
Reviews Preload Scoreboard decoration Ratings Preload Composers Preload Awards Preload Home Preload Search Preload