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     • Years Online: 22
    • Editorial Reviews: 1,929
   • Unique Albums Covered: 2,659
  • Reader Messages Posted: 354,311
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         1. Batman
        2. Star Wars: The Last Jedi
       3. Apollo 13
      4. Edward Scissorhands
     5. How to Train Your Dragon
    6. Jurassic World: Kingdom
   7. First Man
  8. Solo: A Star Wars Story
 9. Justice League
10. Ready Player One
The Lego Movie 2
Spider-Man: Into Spider-Verse
Mary Poppins Returns
Ralph Breaks the Internet
Covering the best and worst of original film and television music from America's Big Sky Country since 1996, Filmtracks is your spirited home for comprehensive, humorous, and controversial soundtrack reviews. Join our community to support this niche music genre!
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3/15/19 Balto   (James Horner)
Updated Review, With Additional Album
Buy it... if you've always held a soft spot for James Horner's animated children's film scores, for Balto represents an affable and superior culmination of his talents in the genre.
Avoid it... if even the general, comparative lack of self-referencing to Horner's previous works in Balto can't warm you up to the still highly specific style of his music for this kind of film.
3/3/19 Filmtracks announces its 2018 award nominees and winners
Filmtracks celebrates the best film music of 2018 with its annual nominees and winners in the categories of "Top Film Scores," "Top Composers," and "Top Film Cues." The nominees for "Top Film Scores" in 2018 are:
The Cloverfield Paradox  (Bear McCreary)
Fantastic Beasts: The Crimes of Grindelwald  (James Newton Howard)
Mary Poppins Returns  (Marc Shaiman)
Max & Me  (Mark McKenzie)
Solo: A Star Wars Story  (John Powell/John Williams)
Visit the 2018 Awards section to view the winners (and other categories). For more information about these awards or to view the results from previous years, browse the Filmtracks Awards index page.
2/23/19 The Cloverfield Paradox   (Bear McCreary)
All New Review
Buy it... if the aggressive yet tonal portions of 10 Cloverfield Lane impressed you, for Bear McCreary has expanded that personality into an extremely intelligent and surprisingly accessible fantasy score with a fabulously engaging narrative.
Avoid it... if you prefer simplistic constructs in your film music, this entry containing multiple layers in each major identity to accentuate the story's paradoxes; it will take you a while to unravel these appropriately parallel lines.
2/15/19 Max & Me   (Mark McKenzie)
All New Review
Buy it... if you have no qualms about potently inspiring music of a pious heart, the tender and solemn beauty of this work extending from Mark McKenzie's similar masterpiece, The Greatest Miracle.
Avoid it... if you cannot accept the absolute, tonal simplicity of McKenzie's approach to these religiously-oriented scores, the music rendered so accessibly that it may function as nothing more than sickeningly sweet sonic wallpaper for you.
2/7/19 First Man   (Justin Hurwitz)
All New Review
Buy it... only if you connected with Justin Hurwitz's mostly ambient, introspective score in context and are therefore prepared for the somber and sparse atmosphere he brings to the film's highly personal drama.
Avoid it... if you expect the score to raise the dramatic appeal of the film, the music instead serving in a secondary role as an underplayed bystander outside of a few fully symphonic cues of a derivative nature.
2/1/19 The Mummy Returns   (Alan Silvestri)
Updated Review, With Additional Album
Buy it... if you seek one of the few adventure scores that can compete with John Debney's Cutthroat Island in terms of adventuresome spirit, sustained tonality, and noisy bombast.
Avoid it... if you demand thematic continuity in the scores of this franchise, none of which exists amongst the shared instrumental stereotypes exercised in each entry.
1/26/19 The Mummy   (Jerry Goldsmith)
Updated Review, With Additional Album
Buy it... if you don't mind hearing orchestras wielded like blunt instruments for exotic and noisy action romps, this one clobbering you with narratively inconsistent but overwhelmingly spirited force.
Avoid it... if you expect either the consistent sophistication or prevailing personality in style that Jerry Goldsmith's better adventure scores exhibit, a fantastic 30-minute consolidation necessary here to trim down the tedious album presentations.
1/16/19 On Deadly Ground   (Basil Poledouris)
Updated Review, With Additional Album
Buy it... on the 2018 expanded product if you are an avid Basil Poledouris collector and enjoy his trademark synthetic rhythms under raw brass themes.
Avoid it... if you agree that Poledouris' action writing style doesn't receive due treatment from undersized ensembles and poor mixing, both of which plague this score.
1/7/19 Waterworld   (James Newton Howard)
Updated Review, With Additional Album
Buy it... on especially the 2017 2-CD set if you normally fall victim to guilty pleasure fantasy scores with generic but well rendered action ideas for orchestra, chorus, and synthetic percussive tones.
Avoid it... if you prefer more originality in your other-worldly blockbuster romps, this one taking blatant inspiration from Hugo Friedhofer and Jerry Goldsmith.
2010 FILMTRACKS NOMINEE: How to Train Your Dragon
How to Train Your Dragon
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Three fascinating threads from the archives:   Expand
AhN - March 20, 2019, at 2:08 p.m.
7 messages  (140 views) - Newest: March 20, 2019, at 5:23 p.m. by Edmund Meinerts
The Best Goldenthal orchestral score are?   Expand
Fantasy72 - March 20, 2019, at 8:15 a.m.
14 messages  (177 views) - Newest: March 20, 2019, at 7:20 p.m. by Boden Steiner
Now Playing: Wednesday, March 20   Expand
Roman - March 20, 2019, at 7:25 a.m.
6 messages  (52 views) - Newest: March 20, 2019, at 1:33 p.m. by Palavar
Lionheart, The Shipping News & The Neverending Story II   Expand
Vlkr42 - March 20, 2019, at 5:22 a.m.
16 messages  (173 views) - Newest: March 20, 2019, at 6:43 p.m. by Cole McLeod
Wackiest examples of 'Let's keep the temp track'?   Expand
Riley KZ - March 19, 2019, at 12:53 p.m.
25 messages  (422 views) - Newest: March 20, 2019, at 12:56 p.m. by Erik Woods
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Summary of site status for 2018
Christian Clemmensen - January 20, 2019, at 10:06 a.m.
1 update  (1502 views)
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